Archive for the ‘Jemilla Russell-Clough’ Category

Massive Attack Live, O2 Brixton Academy

Sunday, September 20th, 2009

Their album has been six years in the making and is still not near being finished so their three night shows at the 02 Brixton Academy had understandably high expectations for their fans.

They made an effortlessly cool entrance on stage instantly jumping into the mix of minimal techno and dark dub beats they are known for. Their set was a good mixture of new songs challenged by their older songs that have made them their reputation. On their first night Damon Albarn of Blur fame came on to demonstrate his collaboration on their new album, sending people crazy. However brilliant this was, choosing Martina Topley Bird to sing Teardrop, one of the most beautifully powerful songs ever written by them was a bad move, especially as she supported them. The mix of her voice and this hugely anticipated song was not as powerful people were expecting. They did good, but I did over hear people saying they expected more of a show.

Massive Attack will release an EP on 5 October, make sure you don’t blink and miss it and any other tour dates by keeping up at www.massiveattack.com

Star Rating 3/5

Contact me at: Jemilla_russellclough@yahoo.co.uk

Review and interview with DREADZONE by Jemilla Russell-Clough

Wednesday, July 1st, 2009

For those who know it may seem like they have been away for the past 3 years, but after going through lots of changes and concentrating on reinventing themselves from the deep dubby reggae and electronica beats they once were famously known for to new and exciting levels of music they are back. After 15 years of making music and 7 albums down their fans are still there, except this time, their kids are all grown up and are part of a new generation of festivalgoers. They have never really been away, just fine tuning their next musical instalment for your listening pleasure..

Their new single ‘Beyond A Rock’ depicts these changes and reinventions that the band has undergone that have clearly been embraced. When you first hear it you have to double-check the title. Yes it is Dreadzone, and no, this isn’t a mistake. It is completely different, and this was their intention. I speak to Greg, forerunner for the Dread world where this has all come from..

JRC: Hey Greg, how are you?
GD: I have just come back from Glastonbury. It was excellent, one of the best ever. Everything about it, good sets, wonderful moments, the sun made blissful Glastonbury moments that made me think ‘Yes, this is why I am here!’ like we went up to the Stone Circle to watch the sunset when we heard our song from 1995 Little Britain come on. Prodigy were good, Spinal Tap were good, when we played at the Arcadia Fire Stage we wandered past Keith Allen doing a set which was hilarious.

JRC: Did you go to Belgium to play the Grensrock Festival straight after?
GD: No, that was cancelled so we were lucky enough to spend the rest of the weekend at Glastonbury.

JRC: Firstly, what was the main reason you decided to make a come back, or had you never really been away?
GD: We have never really been away, so that makes that idea null and void. We have been making music for 15 years and we have 7 albums. After the passing away of my brother we went through a lot of changes. We started reinventing ourselves..

JRC: What influenced Beyond A Rock?
GD: We have always had these loose ideas of wanting to do this, then the new guitarist created a new riff and out came this story experienced by me and the singer. We wanted to record it live and we had it mixed by breakbeaters Ctrl Z.

JRC: It sounds so different to everything else, where did the sound for this come from?
GD: With this new album, it is more pop, it is inspire by melodies: There is not much Dub in the single but it is good to reinvent yourself otherwise you become stagnant

JRC: Do you think your original fans will appreciate this new change?
GD: I think they will appreciate this new reinvention, people are still buying the albums we made 10 years ago. It is important to change it shows you have longevity and a bit of quality in the music you make.

JRC: Do you think Dreadzone coming back will attract a new generation of dub and electronica lovers? Is that something you want to achieve from coming back?
GD: at the festivals we have played I am amazed at how many young people know us It is nice to see. Young crowds bring with them a new rhythm and live energy, at Oxygen festival for example and with young people wanting to hear our music it shows that we still rock crowds.

JRC: You have been making dub and electronica for a long time now, what is your opinion on the boom of mainstream use of electronica and the explosion of dubstep?
GD: As a DJ I love it, it is coming up with interesting stuff and is a way of people trying to make new music. With dub, dubstep and electronica they can cross over and inspire each other and inspire other areas of music. Dubstep is a brilliant new language..

JRC: How would you sum up your music in one sentence as its so different? I.e. Beyond A Rock to Little Britain..,
GD: Well, I don’t think you can sum up Dreadzone. It is a cross over of ideas, how to sum it up? Dub Bass?? It is just good tunes, and that’s all you need. Just mash it all together as a way of creating new music. Little Britain was a way of celebrating British culture and now we are doing live band stuff and have a live bass player. If we had stuck to dub and dubstep one-year later people would have moved on.

JRC; What about reggae in your music?
GD: The album isn’t finished yet, there is some dub and reggae in the rest of it. We choose Beyond A Rock as the first single because it is so different; it’s got a different energy.

JRC: Finally, what festivals are you most looking forward to playing? Obviously you have done Glastonbury that must always be a treat but are there any others?
GD: We really like Glade, but we aren’t playing there this year, though I might come down. We are in a video for Glade when they had those floods, we are driving through what looks like a river but it’s the floods… then there is Oxgyen Festival in Dublin, Beautiful Days in Devon the Levellers festival, Wickerman in Scotland, Board Masters in Cornwall and the Lama Tree…

The list goes on.. on top of their festival jaunts there is the European Tour in September early October and the UK tour from October to December.

The single ‘Beyond A Rock’ is going to be released through Itunes on JULY 6TH that’s pretty darn soon! All of this hard work on the album, festivals and touring is leaving little time for any other projects but this all proves Greg right, it is quality that proves longevity in the fickle world of music, and after 15 years of being known as a’ unique British band’ and still managing to please fans old and new, they must be doing something right.

eyes and ears: http://dreadzone.org.uk/ or www.myspace.com/gregdread

contact me at: Jemilla_russellclough@yahoo.co.uk

The 48ks by Jemilla Russell-Clough

Wednesday, July 1st, 2009

This Northeastern band bring us yet another indie pop band. They are everywhere the rise of the Indie has blurred the lines of indie-pop and now electronica music. It is the music of our generation and here we are faced with another attempt at this genre.

Their northern roots definitely come through, and we all know that those northerners are pretty good at making music, but though there is the accents in the vocals, the riffs and the drums full of attitude, they sound nothing like those who came before them, and we all know who that may be. Plus there is five of them in this make up, not four, and two of them aren’t angry brothers.

Enough of their possible personalities, this is everything you would expect from a young indie pop band, though they do not sound like they are playing out of their garage. One thing I have noticed is that the songs are all about different things, they aren’t all about the highs and lows of love, this I think, is a good thing.

‘Sitting in on my own’ begins very powerful, full of guitar and vocals are very heartfelt. ‘Keep going on’ is something that I would not expect, it’s the slow one, its’ not about love (maybe it is?) it seems to be about carrying on throughout adversity, this song is soft and all vocals and a little drumming. Then they jump into ‘Back home’ full throttle and full of energy. The vocals on sitting in on my own are stronger then the ones in back home, but this song has the potential to be something really brilliant, one that will undoubtedly fill any gig goer with energy. The last song I heard ‘Backseat driver’ is one of those full of energy attempts. My favourite from their limited list is ‘Sitting in on my own’; the timing is brilliant in this. They sound very good together, with excellent timing and have the ability to go from heartfelt song that you can imagine listening to whilst travelling thinking wistfully to songs full of energy that would be perfect at modest gigs. Once they have developed their music further, fine-tuned what is already pretty darn good and let the world (Manchester in this case) see what they have got to offer, they wont stayed unsigned for long.

For your ears: www.myspace.com/the48ksband

contact me at: Jemilla_russellclough@yahoo.co.uk